![ZERO6 arte/desordem [art/mess]](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCCGh2aR4viN2YAm0bsdEcBX6xFeyydppbNFcUh59WYKD_IhR9arh9gtZObFkA6KaXowqDPTUEti_KAEEWkGxgOahP9V9Oh4g7s1tYohzcvy_-XGDqE23pfqvBFy48XIOr1jqB-OptmrZO/s1600/cabe%25C3%25A7alho+white+trash.jpg)
Wednesday, February 8, 2012
Guttermouth - I Won't See You In The Pit
Guttermouth - I Won't See You In The Pit Lyrics
Listen to me its a 100 degrees
And still you've got your leather jacket on
I know it sure looks nice
Like sugar and some spikes
To be in vogue who cares if the heat is on
To you, your cause is valid
But you're on the outside
Join the rank you are fighting you will see
Take over from inside
25 minutes just a puttin up your hawk
Oh boy does it look good and boy do you look smart
You can sing about change
But what's the fucking point
Cops have control oink, oink, oink
To you, your cause is valid
But you're on the outside
Join the rank you are fighting you will see
Take over from inside
To you, your cause is valid
But you're on the outside
Join the rank you are fighting you will see
Take over from inside
Tuesday, February 7, 2012
KNOT AGAIN! 2012 Volcom Miniramp Contest at ISPO
Yes we did it again, the 2012 edition didn't disappoint! With a three day contest and four days of mayhem at the Volcom booth at ISPO in Munich. Skaters, sailors, fishermen and the audience got their bodies washed away by the high seas. On day one, some cash was flooded to the best tricks done all over the ramp. Danny Carlsen from Denmark is a trick machine and his fast feet earned him a bunch of 20€ and 50€ with blunt three's and a half cab blunt bs flip out...but Fernando Bramsmark impressed everyone with some tech trick transfers and some massive oververt to anchor transfers and won the 300€ best trick on top of some more cash.
The contest was held on day two with too much stuff going on to be said, from Mike Vallely appearance to Rune Glifberg antics (anchor to disaster as for example), Fernando pushing his limits, Jake Collins adding some tech to the speed and Ben Hatchell putting on a show. Just check out the video edit to get an idea, the Final was the best one so far!
On the third day a double trouble tournament was sweeping the last day's hungover, with tons of fun and "X treme" duos... Rune and Balder skated fast and as close as possible, Ben Hatchell flew 2 meters over little Mats Hatlem (11 years old) with a fs flip indy, Julien Benoliel and Jarne Verbruggen got tech style-synchro but Alain Goikoetxea and Kako went over the top with Alain flying over Kako's invert on the extension and won the double-trouble prize.
RESULTS:
1st Ben Hatchell 3000€
2nd Jake Collins 1500€
3rd Fernando Bramsmark 1000€
4th Rune Glifberg 700€
5th Josh Young 400€
6th Ivan Rivado 200€
Best Trick:
Fernando Bramsmark 300€
Cash: Fernando 190€, Danny Carlsen 130€, Kris Vile 120€, Phil Zwijsen 100€, Ivan Rivado 70€, Jarne Verbruggen 50€, Julien Benoliel 20€, Sam Pulley 20€
Double Trouble:
Alain Goikoetxea & Inaki Fernandez (Kako) 200€
The contest was held on day two with too much stuff going on to be said, from Mike Vallely appearance to Rune Glifberg antics (anchor to disaster as for example), Fernando pushing his limits, Jake Collins adding some tech to the speed and Ben Hatchell putting on a show. Just check out the video edit to get an idea, the Final was the best one so far!
On the third day a double trouble tournament was sweeping the last day's hungover, with tons of fun and "X treme" duos... Rune and Balder skated fast and as close as possible, Ben Hatchell flew 2 meters over little Mats Hatlem (11 years old) with a fs flip indy, Julien Benoliel and Jarne Verbruggen got tech style-synchro but Alain Goikoetxea and Kako went over the top with Alain flying over Kako's invert on the extension and won the double-trouble prize.
RESULTS:
1st Ben Hatchell 3000€
2nd Jake Collins 1500€
3rd Fernando Bramsmark 1000€
4th Rune Glifberg 700€
5th Josh Young 400€
6th Ivan Rivado 200€
Best Trick:
Fernando Bramsmark 300€
Cash: Fernando 190€, Danny Carlsen 130€, Kris Vile 120€, Phil Zwijsen 100€, Ivan Rivado 70€, Jarne Verbruggen 50€, Julien Benoliel 20€, Sam Pulley 20€
Double Trouble:
Alain Goikoetxea & Inaki Fernandez (Kako) 200€
Cross Examination - Maximum Overchill
Cross Examination - Maximum Overchill Lyrics
It's three in the afternoon and
you've got some time you can kill
before the party tonight
so you decide to just chill
your couch cushions spend some
quality time with your ass
while you turn on your tv, sit back,
smoke and relax to the
max - your body temperature falls
maximum - heart rate slows to a crawl
maximum overchill
max - your blood begins to freeze
maximum - brings you to your knees
maximum overchill
get up, lets leave this place
your party potential has gone to waste
the wimpiness shown here
should be a crime
when you chill this hard
it just wastes my time
your friends are worried
haven't seen you for days
while you've been couch-sloshed
smoked out in a videogame haze
the screen keeps on flashing "game over"
you're through
but its not just the game
its referring to you
max - your body temperature falls
maximum - heart rate slows to a crawl
maximum overchill
max - your blood begins to freeze
maximum - brings you to your knees
maximum overchill
what happened, you see, is inactivity
caused your very particle atoms to freeze
you're a block of ice, devoid of all life
frozen to your couch
dead by your own design
Nate Yeomans. My mustache wont dry, volume 1
Looking sharp in and out of the water, during a good run of California Swells
Nate Yeomans. My mustache wont dry, volume 1 from Nathan Yeomans on Vimeo.
Saturday, February 4, 2012
Adolescents - I Got a Right
Adolescents - I Got a Right Lyrics
Anytime I want I got a right to move -
No matter what they say!
Anytime I want I got a right to move -
No matter what they say!
Honey, I got a right, a right to move
Anytime I want - Yeah any old time!
Honey, I got a right, a right to move
Anytime I want.
Anytime I want I got a right to sing -
No matter what they say!
Anytime I want I got a right to sing -
No matter what they say!
I got a right, a right to sing
Anyway I want - Yeah any old way!
Honey, I got a right, a right to sing
Anyway I want.
Anytime I want I got a right to sing -
No matter what they say!
Anytime I want I got a right to sing -
No matter what they say!
Honey, I got a right, a right to sing
Anyway I want - Yeah any old way!
Honey, I got a right, a right to sing
Anyway I want.
I say "Hey, alright!" (x3)
I got a right! (x5)
Thursday, February 2, 2012
Skin by Stamp
Directed by Ryan Hope, Skin is a dark, stylish examination of tattoo culture as high art, and a film that tests the boundaries of art and the human body.
Featuring contributions from Damien Hirst, Jeff Koons and Raymond Pettibon, the film is a beautiful visual essay from the frontiers of contemporary British art.
Skin was made in association with Garage Magazine to mark the launch issue, and was made possible by the generosity of Christie's, the world's leading art business, and W Hotels.
stamplondon.com
garagemag.com
View more of Ryan Hope's work: ryan-hope.com / stamplondon.com/music-videos/ryanhope
Director Ryan Hope
Executive Producers Dasha Zhukova, Phil McCluney, Danny Germaine, Neil Cray
Line Producer Laura Jones
Concept & Art Curator Becky Pootschi
Stylist Chloe Kerman
Financial Director Marina Barber
Director of Photography Tony Miller
Editor Ryan Boucher
Sound Designer Brendan Woithe
Post Production Prime Focus, The Mill
Artists Damien Hirst, Jeff Koons, Raymond Pettibon, Jake & Dinos Chapman and Richard Prince
Volunteers Jack, AJ, Leaf, Shauna and Conrad
Tattoo Parlours The Family Business, Kings Avenue, Gold Rush
Tattoo Artists Mo Coppoletta, Mike Rubendal, Lindsey Carmichael
Music Actress, Alpines, Alex Jones, Creep, Glimpse, Amon Tobin
Featuring contributions from Damien Hirst, Jeff Koons and Raymond Pettibon, the film is a beautiful visual essay from the frontiers of contemporary British art.
Skin was made in association with Garage Magazine to mark the launch issue, and was made possible by the generosity of Christie's, the world's leading art business, and W Hotels.
stamplondon.com
garagemag.com
View more of Ryan Hope's work: ryan-hope.com / stamplondon.com/music-videos/ryanhope
Director Ryan Hope
Executive Producers Dasha Zhukova, Phil McCluney, Danny Germaine, Neil Cray
Line Producer Laura Jones
Concept & Art Curator Becky Pootschi
Stylist Chloe Kerman
Financial Director Marina Barber
Director of Photography Tony Miller
Editor Ryan Boucher
Sound Designer Brendan Woithe
Post Production Prime Focus, The Mill
Artists Damien Hirst, Jeff Koons, Raymond Pettibon, Jake & Dinos Chapman and Richard Prince
Volunteers Jack, AJ, Leaf, Shauna and Conrad
Tattoo Parlours The Family Business, Kings Avenue, Gold Rush
Tattoo Artists Mo Coppoletta, Mike Rubendal, Lindsey Carmichael
Music Actress, Alpines, Alex Jones, Creep, Glimpse, Amon Tobin
Thom: A Portrait of Modern Youth by Riley Blakeway [Online release]
A short, experimental documentary piece about a 19 year old teen growing up in Australia- Exploring the mind of modern youth and Generation Y.
Written and Directed by Riley Blakeway
Assistant Editor - Jeremy Asher Lynch
Film & Telecine - Nano Lab
"Why did you make Thom?"
"It was about the progression of my work in film. That was another reason I wanted to shoot everything in Super 8. I funded everything myself and didnʼt send out any proposals or anything like that. It wouldnʼt really have made sense to do so. I wanted to keep everything as in touch with the reference piece as possible and keep it indie. I didnʼt want any “cool” brand associations. I wanted it to stand alone. A lot of the film was scripted, even down to the exact shot. But, mostly out of anticipation, as I know Thom so well. The socially awkward responses were something that I anticipated and knew would complete the film for me. At first, I dubbed all of my audio with an American voiceover but scratched it at the last minute because of the loss of chemistry. It was more pre- and post-production than almost anything Iʼve made. Mostly with the edit and sound sync working with Super 8. I had to shoot everything in 30-second intervals to keep costs down and keep everything in sync. After finalising the piece to 12 minutes, I sent it to a studio in LA for the final mix. It came back sounding worse so I recorded all of the sound elements onto a tape using a four-track recorder and mixed the sound live manually.
Written and Directed by Riley Blakeway
Assistant Editor - Jeremy Asher Lynch
Film & Telecine - Nano Lab
THOM - A PORTRAIT OF MODERN YOUTH from Riley Blakeway on Vimeo.
"Why did you make Thom?"
"It was about the progression of my work in film. That was another reason I wanted to shoot everything in Super 8. I funded everything myself and didnʼt send out any proposals or anything like that. It wouldnʼt really have made sense to do so. I wanted to keep everything as in touch with the reference piece as possible and keep it indie. I didnʼt want any “cool” brand associations. I wanted it to stand alone. A lot of the film was scripted, even down to the exact shot. But, mostly out of anticipation, as I know Thom so well. The socially awkward responses were something that I anticipated and knew would complete the film for me. At first, I dubbed all of my audio with an American voiceover but scratched it at the last minute because of the loss of chemistry. It was more pre- and post-production than almost anything Iʼve made. Mostly with the edit and sound sync working with Super 8. I had to shoot everything in 30-second intervals to keep costs down and keep everything in sync. After finalising the piece to 12 minutes, I sent it to a studio in LA for the final mix. It came back sounding worse so I recorded all of the sound elements onto a tape using a four-track recorder and mixed the sound live manually.
Wednesday, February 1, 2012
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