Until The Light Takes Us tells the story of black metal.
Part music
scene and part cultural uprising, black metal rose to worldwide
notoriety
in the mid-nineties when a rash of suicides, murders, and
church burnings accompanied
the explosive artistic growth and output of a
music scene that would forever redefine
what heavy metal is and what it
stands for to other musicians, artists and music fans
world-wide. Until
The Light Takes Us goes behind the highly sensationalized media
reports
of "Satanists running amok in Europe" to examine the complex and
largely
misunderstood principles and beliefs that led to this rebellion
against both Christianity
and modern culture.
To capture this on
film, directors Aaron Aites and Audrey Ewell moved to Norway
and lived
with the musicians for several years, building relationships that
allowed
them to create a surprisingly intimate portrait of this violent,
but ultimately
misunderstood, movement. The result is a poignant,
moving story thats as much about
the idea that reality is composed of
whatever the most people believe, regardless of
whats actually true, as
it is about a music scene that blazed a path of murder and arson
across
the northern sky
Showing posts with label black metal. Show all posts
Showing posts with label black metal. Show all posts
Wednesday, December 5, 2012
Wednesday, October 24, 2012
One Man Metal Part 1 - Black Metal's Unexplored Fringes
For this new, three-part documentary, Noisey interviewed
Leviathan, Striborg, and Xasthur, three solo artists who produce
Black Metal on the margins of society.
Here's part one of One Man Metal.
Leviathan, Striborg, and Xasthur, three solo artists who produce
Black Metal on the margins of society.
Here's part one of One Man Metal.
Wednesday, November 2, 2011
True Norwegian Black Metal [5 Parts]
We went to Norway to interview Gaahl, lead singer of the band Gorgoroth. Gaahl really believes in this whole ideology behind what he's doing - he's not just some rockstar fronting a band.
The thing with Black Metal is, in Norway, everybody is exactly the same. There's nothing to rebel against, because everybody's really well off. It's one of the richest countries in Europe. There is no lower class, it's like middle-class white kids everywhere - no one has anything to complain about. And he's this sort of eccentric figure amidst this sea of contentment and sameness.
The way I see it is, in America you have guys like 50 Cent who are supposed to be the "villain." Kids like him cause they're parents hate him, and that's basically what Gaahl is. He's their musical villain so to speak. But there's a lot of different sides to the scene.
The thing with Black Metal is, in Norway, everybody is exactly the same. There's nothing to rebel against, because everybody's really well off. It's one of the richest countries in Europe. There is no lower class, it's like middle-class white kids everywhere - no one has anything to complain about. And he's this sort of eccentric figure amidst this sea of contentment and sameness.
The way I see it is, in America you have guys like 50 Cent who are supposed to be the "villain." Kids like him cause they're parents hate him, and that's basically what Gaahl is. He's their musical villain so to speak. But there's a lot of different sides to the scene.
Labels:
art,
black metal,
sound
Friday, April 15, 2011
Until The Light Takes Us (Official Trailer)
In theaters this winter. Until The Light Takes Us tells the story of black metal. Part music scene and part cultural uprising, black metal rose to worldwide notoriety in the mid-nineties when a rash of suicides, murders, and church burnings accompanied the explosive artistic growth and output of a music scene that would forever redefine what heavy metal is and what it stands for to other musicians, artists and music fans world-wide. Until The Light Takes Us goes behind the highly sensationalized media reports of "Satanists running amok in Europe" to examine the complex and largely misunderstood principles and beliefs that led to this rebellion against both Christianity and modern culture.
To capture this on film, directors Aaron Aites and Audrey Ewell moved to Norway and lived with the musicians for several years, building relationships that allowed them to create a surprisingly intimate portrait of this violent, but ultimately misunderstood, movement. The result is a poignant, moving story thats as much about the idea that reality is composed of whatever the most people believe, regardless of whats actually true, as it is about a music scene that blazed a path of murder and arson across the northern sky
Labels:
art,
black metal,
evil,
sound
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